Lighting the Way Forward

Lighting a creative path, the FX5 empowers filmmakers to step confidently into the next stage of their professional journey. Bringing an advanced cinema look and refined operability together in a compact body, it gives creators the freedom to realise their vision with greater precision, control, and expressive potential.

5K full-frame fully-stacked Exmor RS™ CMOS sensor for speed, detail and latitude

The full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.

BIONZ XR2™ with integrated AI processing for enhanced shooting support

The BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation and more. Its integrated AI processing supports advanced subject recognition and deep-learning-based illumination estimation for more accurate Auto Tracing White Balance (ATW) and more dependable shooting support in demanding conditions.

Open Gate and other image scan modes

The FX5 offers full-frame Open Gate recording — a first in the Cinema Line FX series. With 5K up to 60 fps (FF 3:2), 4K up to 120 fps (FF crop) and more, it gives you the freedom to adjust framing, speed and workflow to realise even the most ambitious vision.

Internal X-OCN compressed RAW video recording

Capture 16-bit scene-linear X-OCN internally, eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.

Wide 15+ stop latitude with low noise

Wide 15+ stop latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, so scenes retain a more convincing sense of depth and mood while giving you footage that is easier and more flexible to grade.

Three Base ISO settings for effective noise control in any environment

Three Base ISO settings — a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 12800 for low light — are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity.

Dual Gain Shooting debuts in the Cinema Line FX camera series

Dual Gain Shooting maximises latitude while reducing noise to enhance shadow details. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility.

High-frame-rate capture, including 5K at up to 60 fps

The FX5 records up to 5K at 60 fps and 4K at 120 fps, giving creators the power to capture fast-paced action with impressive detail and clarity. 5K 120p and 4K 240p coming in firmware V2.0, planned to be available in August 2027 or later.

Precise, reliable AF and tracking with AI-based subject recognition

With built-in AI processing, the BIONZ XR2 engine accurately recognises human, animal and bird eyes (Real-time Eye AF). Fast Hybrid AF uses up to 759 points to support confident focusing in demanding situations, including darker scenes. Real-time Tracking also helps the camera stay with the subject smoothly and precisely, even when depth of field is shallow.

Built-in de-squeeze for anamorphic shooting

Built-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.

Deep learning-based illumination estimation

Deep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate colour reproduction even under lighting conditions that previously tended to cause colour cast.

Lightweight, compact design for agility on set

The compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and in fast-moving productions.

5-axis stabilisation for steadier handheld shooting

A precision stabilisation unit and gyro sensors combine to provide optical 5-axis in-body stabilisation. An enhanced stabilisation unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake. Dynamic active Mode adds extra electronic support, and embedded stabilisation metadata can also be used in post-production for a more controlled final result.

High-quality 96 kHz / 32bit float audio recording

The XLR handle unit supports two XLR/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz / 32bit float audio recording. With up to four channels of high-quality capture, it also supports independent 32bit float WAV recording alongside video audio for more flexible on-set sound workflows.

Optional OLED viewfinder DVF-EL1 for easier outdoor monitoring

Add the optional OLED viewfinder for more immersive monitoring in bright locations. Its 3.5-type panel features approx. 7.07 million dots, DCI-P3 equivalent colour gamut, 10-bit display, HDR monitoring support, and 0.90x magnification, while the 0°-90° tilting design and selectable display modes help adapt monitoring to different shooting styles.

3.5-type monitor with 4-axis multi-angle design

The 3.5-type 16:9 aspect monitor tilts 98° up, 40° down and 180° sideways, and rotates up to 270° when open. A high-brightness panel with 15 brightness settings, fine control of image inversion display, and neatly organised on-screen shooting information all help make monitoring clearer and more flexible on set.

Dual CFexpress Type A/SD card slots for flexible media workflows

Dual CFexpress Type A slots support relay, simultaneous, and separated recording while also accepting SDXC (UHS-II/UHS-I) cards. Main and proxy files can be recorded to different slots, giving productions more flexibility in media choice, backup strategy, and file handling.

Power that keeps pace with long shoots

A high-capacity 2670 mAh NP-SA100 battery can provide up to 170 minutes of recording time. Optimised power management, improved charging speed, USB Power Delivery and battery condition display help simplify longer shooting days and make it easier to judge when battery replacement may be needed.

Durable, sealed body design

Refinements throughout maximise dust and moisture resistance for high reliability in demanding conditions. Sealing is used at exterior joints and around the battery cover to help prevent moisture and dust ingress, and the cooling fan is housed in a separate chamber for added protection.

Uninterrupted 5K/60p recording

An efficient fan cooling system and advanced design deliver up to 3x the airflow, keeping the camera cool even when the LCD monitor is closed. Three fan modes [Auto], [Minimum] and [OFF in REC] let you balance cooling and operational noise to suit the environment and the production.

Flexible monitoring, power and timecode connections

The HDMI Type A output port supports flexible external monitoring, with the option to display shooting information on both the camera LCD and an external monitor, or separate status information from the image output. Dual USB Type-C® ports support power delivery and timecode input via an optional adapter cable.

Wired and wireless LAN connectivity for remote workflows

High-speed wired LAN and built-in Wi-Fi 802.11ax with 2×2 MIMO on 6 / 5 / 2.4 GHz bands support smoother remote control, file transfer and connected production workflows. Wired LAN support for 2.5GBASE-T, 1000BASE-T and 100BASE-TX also helps the FX5 slot more easily into modern multi-device and networked productions.

• Sony ILME-FX5B Cinema Line Full-Frame Camera Body
• Rechargeable Battery NP-SA100
• Battery Charger BC-SAD1
• Body Cap
• Accessory Shoe Cap
• VF Terminal Protection Cap